AAAAAAARRRRRGH!
Nov. 19th, 2006 05:09 pmRegular readers of this journal will know that one of my favourite blogs is Popular at Freakytrigger in which Tom Ewing - aka
freakytigger - is undertaking the mammoth task of reviewing all the number one hits since the inception of the British charts and marking them out of ten. We've reached 1971 now, and just about to record the 300th out of 1000+, so there's a way to go yet. Tom has a good crowd of camp followers to make the journey an enjoyable one although I'm not sure I'll be going through to the terminus.
I find I agree pretty well on Tom's assessments (and his commentary is far more astute than mine could ever be) although there have been points where I disagreed quite strongly. And I think he has been a tad unkind to the 1960s which were, surely, the Golden Age of pop - especially around 196-67. But perhaps that's because it coincided with my own pop years before I got into headier stuff. Until this week, Tom had only awarded 10 on three occasions: to Nancy Sinatra's These Boots Are Made For Walking (which made me raise an eyebrow but it did make me listen to it properly and Lee Hazlewood's arrangement is something special); to the Beatles for Eleanor Rigby/Yellow Submarine, and to Desmond Dekker's Israelites. I'd concur heartily with the latter two. Personally I'd also have regarded as a shoo-in for a 10 the Animals' House Of The Rising Sun from 1964 (which Tom only gave 6 - shame on him!), the Beach Boys' Good Vibrations (1966), and Marvin Gaye's I Heard It Through The Grapevine.
This week Tom awarded his fourth 10 to T Rex and Hot Love, and all at once I saw I was being left behind. Bolan, the traitor, the psychedelic star of Tyrannosaurus Rex, selling out to the demons of commerce! (It's a good song though, and T Rex, IMHO, didn't get better). He who was Fair was now content to wear Stars on his Brow! Something else also hit me. It seems that for many of a generation after mine, pop didn't begin with The Beatles, who were an archaeological curiosity, but with T Rex, while I was wrapping myself in the world of the now-despised progressive music!
You live and learn...
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
I find I agree pretty well on Tom's assessments (and his commentary is far more astute than mine could ever be) although there have been points where I disagreed quite strongly. And I think he has been a tad unkind to the 1960s which were, surely, the Golden Age of pop - especially around 196-67. But perhaps that's because it coincided with my own pop years before I got into headier stuff. Until this week, Tom had only awarded 10 on three occasions: to Nancy Sinatra's These Boots Are Made For Walking (which made me raise an eyebrow but it did make me listen to it properly and Lee Hazlewood's arrangement is something special); to the Beatles for Eleanor Rigby/Yellow Submarine, and to Desmond Dekker's Israelites. I'd concur heartily with the latter two. Personally I'd also have regarded as a shoo-in for a 10 the Animals' House Of The Rising Sun from 1964 (which Tom only gave 6 - shame on him!), the Beach Boys' Good Vibrations (1966), and Marvin Gaye's I Heard It Through The Grapevine.
This week Tom awarded his fourth 10 to T Rex and Hot Love, and all at once I saw I was being left behind. Bolan, the traitor, the psychedelic star of Tyrannosaurus Rex, selling out to the demons of commerce! (It's a good song though, and T Rex, IMHO, didn't get better). He who was Fair was now content to wear Stars on his Brow! Something else also hit me. It seems that for many of a generation after mine, pop didn't begin with The Beatles, who were an archaeological curiosity, but with T Rex, while I was wrapping myself in the world of the now-despised progressive music!
You live and learn...